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  <id>urn:lj:livejournal.com:atom1:ericgelber</id>
  <title>Bibliography and Hypocrisy</title>
  <subtitle>Eric Gelber's Blog</subtitle>
  <author>
    <name>Eric Gelber's Blog</name>
  </author>
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  <updated>2008-05-18T12:58:01Z</updated>
  <lj:journal username="ericgelber" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://ericgelber.livejournal.com/data/atom" title="Bibliography and Hypocrisy"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:46189</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/46189.html"/>
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    <title>Birth Defect</title>
    <published>2008-05-18T12:58:01Z</published>
    <updated>2008-05-18T12:58:01Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/0007t96p/"&gt;&lt;img height="240" alt="" width="233" border="0" src="http://pics.livejournal.com/ericgelber/pic/0007t96p/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;I started this drawing yesterday and I finished it this morning.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:45955</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/45955.html"/>
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    <title>New New</title>
    <published>2008-05-14T13:36:45Z</published>
    <updated>2008-05-14T13:36:45Z</updated>
    <content type="html">&lt;p&gt;I have done two drawings in the past two days. I used my new Pentel Pocket Brush Pen. It is awesome. They are abstract drawings or linear networks; crystal balloons, decorative barbed wire, Nevelson like compartments filled with symbolic bric-a-brac. I am going to post a new comic today or tomorrow. The comic is based on an idea I had for a nutty television sitcom starring Roberta Smith and Jerry Saltz. Hopefully I will make regular installments based on this idea.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;By the way, if you have an artist friend and they expect you to provide an in-depth critique of their work EVERY SINGLE TIME you visit them in their dingy loft, you should break off the friendship immediately. These types of artists are using you. You are propping up their egos and if it wasn't for the in-depth feedback you provided them, they would have no use for you.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0007sqqg/"&gt;&lt;img height="240" alt="" width="178" border="0" src="http://pics.livejournal.com/ericgelber/pic/0007sqqg/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Goat Man has left the building.&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:45707</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/45707.html"/>
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    <title>Joshua Mehigan</title>
    <published>2008-05-07T15:13:51Z</published>
    <updated>2008-05-07T19:57:01Z</updated>
    <content type="html">&lt;p align="left"&gt;&lt;br /&gt;A poem written by my old friend Joshua Mehigan appears&amp;nbsp;in today's New York Sun. Congratulations Josh!&lt;br /&gt;&lt;br /&gt;"&lt;a href="http://www.nysun.com/arts/sad-stories"&gt;Sad Stories&lt;/a&gt;"&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:45329</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/45329.html"/>
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    <title>Paradigm Shift</title>
    <published>2008-05-05T01:45:50Z</published>
    <updated>2008-05-05T01:45:50Z</updated>
    <content type="html">&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0007qzwp/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0007qzwp/s320x240" /&gt;&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:45129</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/45129.html"/>
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    <title>Miracle?</title>
    <published>2008-05-03T04:41:58Z</published>
    <updated>2008-05-03T04:41:58Z</updated>
    <content type="html">&amp;nbsp;&lt;div class="owner_comment"&gt;&lt;span class="q"&gt;Okay so am I missing the part of &lt;a href="http://www.cnn.com/2008/US/05/02/obit.miracle.marine/index.html"&gt;this story&lt;/a&gt; that contains the miracle?&lt;/span&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:45032</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/45032.html"/>
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    <title>Steal anything in sight</title>
    <published>2008-05-01T02:26:44Z</published>
    <updated>2008-05-01T16:16:56Z</updated>
    <content type="html">&lt;p&gt;&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0007pkph/"&gt;&lt;img height="230" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0007pkph/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"Reification (thingification) moves sculpture from its passive state as contemplative art toward more precise approximations of the systems which underlie operational reality."&lt;/p&gt;&lt;p&gt;"Driven on by the dynamic influences of science and technology, sculpture has ceased to be an art with a sense of traditional continuity, surviving only through constant threats to its own origins."&lt;/p&gt;&lt;p&gt;"The object denotes sculpture in its traditional physical form, whereas the system (an interacting assembly of varying complexity) is the means by which sculpture gradually departs from its object state and assumes some measure of lifelike activity."&lt;/p&gt;&lt;p&gt;"Sculpture seeks its own obliteration by moving toward integration with the intelligent life forms it has always imitated."&lt;/p&gt;&lt;p&gt;(quotes from &lt;strong&gt;&lt;u&gt;Beyond Modern sculpture: The Effects of Science and Technology on the Sculpture of This Century&lt;/u&gt;&lt;/strong&gt; by Jack Burnham)&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:44790</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/44790.html"/>
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    <title>Balloon Dog Massacre</title>
    <published>2008-04-27T16:55:07Z</published>
    <updated>2008-04-28T13:48:22Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/0007h6ty/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0007h6ty/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Goodbye MET. I will miss you.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:43429</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/43429.html"/>
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    <title>Julian Schnabel Shills for MasterCard</title>
    <published>2008-04-17T02:21:03Z</published>
    <updated>2008-04-17T11:29:54Z</updated>
    <content type="html">&lt;p&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0006a679/"&gt;&lt;img height="214" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0006a679/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;When I opened up the latest issue of the New Yorker in the john earlier tonight I came upon the above advertisement.&amp;nbsp; It was a fancily designed two page advertisement.&amp;nbsp; Who knows how many millions of dollars Schnabel got for his efforts; allowing MasterCard to use one of his self portraits and apparently giving a painting to the winner of a contest. The full advertisement consists of the reproduction of the self portrait on the right side (see above) and a blank page on the left of it with a white invitation envelope stuck in the middle of it. Notice the MasterCard seal on the bottom left of the picture above (this faux wax seal is a classy touch no?). On the outside of the envelope it says "One-of-a-kind, commsioned portrait of you, painted by Julian Schnabel priceless? Give or take a few cents." This made me think that the winner of the contest would have the opportunity to pose for a self portrait, to sit right in front of the pajama clad master and&amp;nbsp;have&amp;nbsp;his/her portrait painted, and get to keep it.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;When I opened the envleope there was a card inside of it (see the right side of the bottom of the image above). It said, "KEEP SEARCHING: Sorry, unfortunately you have not found the card entitling you to commission a unique Julian Schnabel portrait." I left some text out. This is bizarre. I had flashbacks of the movie "Willy Wonka and the Chocolate Factory." I imagined desperate New Yorker readers running off to newstands to purchase handfuls of New Yorkers and frantically searching for the golden ticket.&lt;br /&gt;&lt;br /&gt;The wording of the outside of the invitation and the card inside is unusual. Do they mean that Schnabel will paint a self portrait of the winner or that the winner will receive a portrait painted by Schnabel of himself or someone else? Bizarre.&lt;br /&gt;&lt;br /&gt;Also, why did Schnabel do this? According to&amp;nbsp;a recent puff piece written about the artist in the NYRB, one of his&amp;nbsp;servants lights his cigarettes for him. Why the fuck does he need&amp;nbsp;more money? &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:41508</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/41508.html"/>
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    <title>My In-Depth Coverage of the Art Fairs</title>
    <published>2008-04-03T15:39:34Z</published>
    <updated>2008-04-03T20:43:24Z</updated>
    <content type="html">&lt;p&gt;&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/000697s2/"&gt;&lt;img height="133" alt="" width="180" border="0" src="http://pics.livejournal.com/ericgelber/pic/000697s2" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;"Caca Cacophony" (2008) by the art collective &lt;em&gt;Universal-Washer/Dryer-Upheaval-Noogie&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;The above image of "Caca Cacophony", an appropriated rubber caca made in 2008 by the art collective &lt;strong&gt;&lt;em&gt;Universal-Washer/Dryer-Upheaval-Noogie&lt;/em&gt;&lt;/strong&gt;, was the best work of art to appear in any of the major art&amp;nbsp;fairs. It was a brilliant deconstruction (literal) and subversion of the current political matrix in the United States. An ironic recontextualizing of the body's physiology,"Caca Cacophony"&amp;nbsp; inverted value systems and problematized the act of excreting. This&amp;nbsp;simulacrum of a pile of rubber caca&amp;nbsp;references a variety of transgressive processes.&lt;br /&gt;&lt;br /&gt;(I didn't go to a single art fair. No one wanted to pay me to write about them.)&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:41278</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/41278.html"/>
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    <title>Reading Stanislaw Lem</title>
    <published>2008-03-31T14:03:16Z</published>
    <updated>2008-04-01T13:21:35Z</updated>
    <content type="html">&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;font size="3"&gt;&lt;font face="Times New Roman"&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/000675a8/"&gt;&lt;img height="240" alt="" width="240" border="0" src="http://pics.livejournal.com/ericgelber/pic/000675a8" /&gt;&lt;/a&gt;&lt;br /&gt;I love "Fiasco" so far.&amp;nbsp;Parvis, a pilot in search of lost comrades,&amp;nbsp;is trawling across the unblemished surface of Saturn's moon Titan in an iron strider (known as a Digla), a vehicle that replicates the pilot's body movements. The pilots entire naked body is wired and floats in the cockpit. The tall legs of the vehicle replicate the movements of the pilot’s legs. He marvels at the living terrain at first. He thinks he sees familiar organic forms, bones especially, in the rocks and mineral deposits he crushes beneath the tall and steely feet of his vehicle, but that is only because life forms have certain universal characteristics&amp;nbsp;and share structural qualities even though they&amp;nbsp;exist&amp;nbsp;in completely different contexts.&lt;/font&gt;&lt;/font&gt;&lt;o:p&gt;&lt;font face="Times New Roman" size="3"&gt;&lt;br /&gt;&amp;nbsp;&lt;/font&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;font size="3"&gt;&lt;font face="Times New Roman"&gt;"[H]e laughed at the mighty efforts made by the artists of Earth to reach beyond the boundary of human imagination (which must visualize everything); at how the poor devils beat against the walls in their minds; and at how little, really, they departed from platitude, though straining to the utmost to depart -- while here, in a single acre, there was more proud originality than in a hundred of their anxious, anguished art shows."&lt;o:p&gt;&lt;/o:p&gt;&lt;/font&gt;&lt;/font&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;o:p&gt;&lt;font face="Times New Roman" size="3"&gt;&amp;nbsp;&lt;/font&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;font face="Times New Roman" size="3"&gt;This is exactly how I feel when I look at the natural terrain in &lt;st1:place w:st="on"&gt;&lt;st1:placename w:st="on"&gt;Adirondack&lt;/st1:placename&gt; &lt;st1:placetype w:st="on"&gt;State Park&lt;/st1:placetype&gt;&lt;/st1:place&gt;.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:40810</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/40810.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=40810"/>
    <title>The Gamesters of Triskelion</title>
    <published>2008-03-28T14:01:29Z</published>
    <updated>2008-03-28T14:01:29Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/0006527a/"&gt;&lt;img height="240" alt="" width="203" border="0" src="http://pics.livejournal.com/ericgelber/pic/0006527a/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;font size="1"&gt;image courtesy artnet.com&lt;/font&gt;&lt;/strong&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:39681</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/39681.html"/>
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    <title>Sean McCarthy</title>
    <published>2008-03-20T23:08:28Z</published>
    <updated>2008-03-20T23:08:28Z</updated>
    <content type="html">&lt;p&gt;My &lt;a href="http://artcritical.com/gelber/EGMcCarthy.htm"&gt;Sean McCarthy&lt;/a&gt; review has been posted over at artcritical.com.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005z215/"&gt;&lt;img height="240" alt="" width="196" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005z215/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;font face="Arial, Helvetica, sans-serif" size="2"&gt;&lt;font size="1"&gt;&lt;strong&gt;Sean McCarthy &lt;em&gt;Astaroth&lt;/em&gt; 2007, ink and graphite on paper, 8-½ x 7 inches&lt;br /&gt;&lt;/strong&gt;&lt;span&gt;&lt;font size="1"&gt;&lt;strong&gt;Courtesy Frederikcs &amp;amp; Freiser&lt;/strong&gt;&lt;/font&gt; &lt;/span&gt;&lt;span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:39363</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/39363.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=39363"/>
    <title>Walk-Through Phenomenon</title>
    <published>2008-03-06T22:02:26Z</published>
    <updated>2008-03-06T22:03:36Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005y78z/"&gt;&lt;img height="149" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005y78z/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;font size="1"&gt;Image courtesy of nytimes.com&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;Has anyone written about the 'Walk-Through Phenomenon'? I like the picture above because it illustrates it perfectly. Person sees something in a gallery or museum space and walks past it really quickly.&amp;nbsp; Some creative person&amp;nbsp;in the NYT photo department should have used Photoshop and added little&amp;nbsp;cartoon speed lines trailing behind this shadowy, hapless,&amp;nbsp;and bedraggled soul. "Get me the hell out of here!" their body language seems to say.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:38709</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/38709.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=38709"/>
    <title>Sand Dunes Thawing on Mars</title>
    <published>2008-03-04T03:24:10Z</published>
    <updated>2008-03-04T03:24:10Z</updated>
    <content type="html">&lt;p&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005xbc7/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005xbc7/s320x240" /&gt;&lt;/a&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:38643</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/38643.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=38643"/>
    <title>Diana Puntar Review</title>
    <published>2008-03-02T16:02:36Z</published>
    <updated>2008-03-02T16:18:17Z</updated>
    <content type="html">&lt;p align="left"&gt;My review of the Diana Puntar exhibition has been posted over at &lt;a href="http://artcritical.com/gelber/EGPuntar.htm"&gt;artcritical&lt;/a&gt;. I think this is the first essay length review that has been written about her work. As an art critic, I plan on continuing to seek out work that has not received critical attention before. I don't count blurb reviews or brief mentions as&amp;nbsp;meaningful critical attention.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005wp2g/"&gt;&lt;img height="240" alt="" width="160" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005wp2g/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;installation shot, courtesy Oliver Kamm/5BE Gallery&lt;/font&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The next artist I am going to write about is &lt;a href="http://www.fredericksfreisergallery.com/exhibitions/current/index.html"&gt;Sean McCarthy&lt;/a&gt;. I am writing about his first solo exhibition. Writing about his work does require a bit of&amp;nbsp;background research. It is kind of scary, from the standpoint of a&amp;nbsp;librarian, that the first thing that comes up in almost every search&amp;nbsp;one does for a proper name, is wikipedia.&amp;nbsp;I&amp;nbsp;want my reference resources, whether in print or online,&amp;nbsp;&amp;nbsp;to&amp;nbsp;be more stable and trustworthy.&amp;nbsp;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:38234</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/38234.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=38234"/>
    <title>Subtleties of Head Cheese</title>
    <published>2008-03-01T12:31:39Z</published>
    <updated>2008-03-01T12:48:52Z</updated>
    <content type="html">&amp;nbsp;I got sucked into a penetrating discussion about the subtleties of head cheese over at &lt;a href="http://artblog.net/?name=2008-02-28-14-36-puryear"&gt;artblog.net&lt;/a&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;This &lt;a href="http://www.iht.com/articles/2008/02/26/healthscience/sntierney.php"&gt;article&lt;/a&gt;&amp;nbsp;counters&amp;nbsp;the belief that it is&amp;nbsp;good to keep all of your options open.&lt;br /&gt;&lt;br /&gt;I love the &lt;a href="http://antwrp.gsfc.nasa.gov/apod/ap080217.html"&gt;Crab Nebula&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;I would vote for Obama over McCain in a heartbeat, but for those of us who are getting a bit drunk on the lofty concept of change,&amp;nbsp;&lt;a href="http://www.boston.com/news/nation/articles/2007/08/09/pacs_and_lobbyists_aided_obamas_rise/"&gt;this&lt;/a&gt;&amp;nbsp;article should be sobering.&lt;br /&gt;&lt;br /&gt;Let us hope that What Happens in &lt;a href="http://www.huffingtonpost.com/huff-wires/20080229/motel-hazardous-material/"&gt;Vegas&lt;/a&gt; Stays in Vegas.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:38127</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/38127.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=38127"/>
    <title>Update</title>
    <published>2008-02-24T21:31:14Z</published>
    <updated>2008-02-24T23:36:40Z</updated>
    <content type="html">&lt;p&gt;No I didn't hang myself. I am trying to write two new reviews for &lt;a href="http://artcritical.com/"&gt;artcritical.com&lt;/a&gt;. These will be the first reviews I have written for artcritical in quite a while. I did some editing for &lt;a href="http://www.artcritical.com/DavidCohen/index.htm"&gt;David Cohen&lt;/a&gt;&amp;nbsp;during the dry spell. Do other parents who write&amp;nbsp;and have&amp;nbsp;young children find it difficult to find the time to write stuff? I definitely do, but I plan on focusing more on my writing and going to NYC to visit exhibitions at least once a month. I will post the links to the reviews once they are up. Currently I am reading Robert Graves' "I, Claudius". Boy, those Roman wives were good at poisoning people.&amp;nbsp; I also recently finished reading Stephen King's book "Cell", which is the very first book I have read by the author. I really enjoyed it. He is no hack.&amp;nbsp; In terms of periodicals that I have been reading, I have been keeping up with all of the new issues of The Nation, The New York Review of Books, the Skeptical Inquirer, Book Forum, and the New Yorker, besides reading a ton of stuff online. I guess it should be easy to figure out what my political stance is, based on this list.&lt;/p&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:37664</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/37664.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=37664"/>
    <title>“Am I to be thought the only criminal, when all humankind sinned against me?”</title>
    <published>2008-02-16T03:22:56Z</published>
    <updated>2008-02-16T03:22:56Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005t5tf/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005t5tf/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:37382</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/37382.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=37382"/>
    <title>Selective Serotonin Reuptake Inhibitors</title>
    <published>2008-02-13T04:03:45Z</published>
    <updated>2008-02-13T04:03:45Z</updated>
    <content type="html">&lt;p&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005s50y/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005s50y/s320x240" /&gt;&lt;/a&gt;&lt;/p&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:37347</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/37347.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=37347"/>
    <title>Lucian Freud Review</title>
    <published>2008-02-11T18:48:47Z</published>
    <updated>2008-02-11T18:50:33Z</updated>
    <content type="html">&lt;p&gt;They posted my review of the Lucian Freud etching exhibition at the MoMA over at &lt;a href="http://www.artinfluence.com/LucianFreud.html"&gt;artinfluence.com&lt;/a&gt;. They haven't posted any images or my author I.D. yet. So if you want to refer to images, before, during, or after reading the review go &lt;a href="http://www.moma.org/exhibitions/2007/freud/"&gt;here&lt;/a&gt;.&amp;nbsp;The exhibition&amp;nbsp;inspired me to think about the process of drawing from the model. My interpretations of the work ended up running counter to the most common views held about Freud's use of the human figure.&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:36946</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/36946.html"/>
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    <title>Careful With That Axe Eugene</title>
    <published>2008-02-11T05:18:11Z</published>
    <updated>2008-02-12T01:19:41Z</updated>
    <content type="html">&lt;p&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005q1r0/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005q1r0/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/p&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:36794</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/36794.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=36794"/>
    <title>Drawings Inspired By Inland Empire</title>
    <published>2008-02-10T04:59:59Z</published>
    <updated>2008-02-10T05:16:57Z</updated>
    <content type="html">&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005a98t/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005a98t/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://pics.livejournal.com/ericgelber/pic/0005bqsp/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005bqsp/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005c3ea/"&gt;&lt;img height="240" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/0005c3ea/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005dbb5/"&gt;&lt;/a&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/0005e3cy/"&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:36405</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/36405.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=36405"/>
    <title>Art World Ethics Pt. 2</title>
    <published>2008-02-07T03:09:16Z</published>
    <updated>2008-02-08T19:44:51Z</updated>
    <category term="eric gelber"/>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/00059xek/"&gt;&lt;img height="223" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/00059xek/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:36286</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/36286.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=36286"/>
    <title>High Stakes</title>
    <published>2008-02-05T16:19:43Z</published>
    <updated>2008-02-05T16:19:43Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/00055aht/"&gt;&lt;img height="184" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/00055aht/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:ericgelber:36017</id>
    <link rel="alternate" type="text/html" href="http://ericgelber.livejournal.com/36017.html"/>
    <link rel="self" type="text/xml" href="http://ericgelber.livejournal.com/data/atom/?itemid=36017"/>
    <title>The Art World Follies</title>
    <published>2008-02-02T03:35:15Z</published>
    <updated>2008-02-02T15:52:16Z</updated>
    <category term="eric gelber"/>
    <content type="html">&lt;a href="http://pics.livejournal.com/ericgelber/pic/000523rf/"&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://pics.livejournal.com/ericgelber/pic/000548ac/"&gt;&lt;img height="223" alt="" width="320" border="0" src="http://pics.livejournal.com/ericgelber/pic/000548ac/s320x240" /&gt;&lt;/a&gt;</content>
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